Rebels Without a Pause (Momo & Yeti, Volume 3)

The Noblethorn family is hosting the Monster’s Ball. Everyone is invited. That should be the first warning.

Eva Fangoria has spent months weaving revolution into fabric. Her coded dresses carry coordinates, exit routes, and rally points in thread that SAMS cannot translate. Her mother Coco, a 312-year-old Medusa who spent centuries hiding, is about to walk into the Ball wearing her snakes as a crown for the first time. And Professor Apollonia, the phoenix who taught art for thirty-seven years under a false name, is preparing to sing a song that hasn’t been heard in three thousand years.

Beneath the chandeliers and champagne, Sunshine discovers something in the estate’s basement that changes everything: fourteen monster children, detained, sedated, and classified as subjects. Venus carries six vials that pulse like heartbeats. Henry and Albert, the Noblethorn twins, stand on opposite sides of a line that their father drew and their blood is about to redraw. And deep below San Mágos, something ancient stirs in its sleep, responding to music it hasn’t heard since before the city existed.

The third volume in a six-book series, Rebels Without a Pause is where the fire catches. Fashion becomes resistance. Food becomes courage. A phoenix burns her own wings to sustain a song.

And the most radical act in a system designed to make you less is to become fully, unapologetically yourself.